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In this group of artists, intimacy, memory and abstraction converge in various ways, but all share a sensitivity to the short lived: the neglected image, the half-remembered place, the unstable boundary in between what we see and what we feel. Together, they form a quiet however insistent meditation on how suggesting collects in common life.
The Intersection of Fantasy and Professional PortraitureTaken together, rendered in her unique painterly style, these retellings of easily-forgotten minutes demonstrate how an ordinary life, when taken a look at from a specific point of view, begins to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and significance, calling photographic reality into question by breaking down, recontextualising and duplicating images. Balancing methodical accuracy with a distinctly human, always imperfect visual perceptiveness, his paintings are easy going abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings offer physical forms to images that we usually see via a screen andquickly forget, such as stock photographs and ReCAPTCHAs. To me, her unique language hazy, misshaped, discreetly disturbing reflects the alienation and dissociation inherent in a world saturated with imagery that appears to appear and vanish ever-more quickly. A shadow, a handstand, a large drape draped over a houseplant: by photographing such things, he gives them a second life in which they end up being permanent. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a specific ahistorical quality; they connect numerous histories of product experimentation and creation from worldwide within a distinct visual language. They position the audience within landscapes that feel endless with a low mist hanging over the horizon. Though unknown, these images are deeply serene, inviting you to revel in the simple pleasures of a perpetually twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window showing the carriage's interior over the passing landscape; a barely-visible automobile hidden by an ochre-yellow drape appear intentionally strange. They make me think about the synchronised absurdity and appeal of the world in front of me, thinking about familiar scenes through an unfamiliar lens. Bianca MacCall Perpetual Motion, 2023 Henry Ward's painting practice is ever-shifting. If you stand in front of one of his paintings for long enough, you may see it alter in genuine time. The unclear, unforeseeable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.
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